Check back soon for information on our upcoming screenings in 2025!
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Available now in the Retroformat Vault ...
The Temptress (1926) is a testament to the brilliance of silent cinema, starring the incomparable Greta Garbo in her second American film. Directed by Fred Niblo, this cinematic gem transports audiences into a world of passion, intrigue, and undeniable charisma. The heart of The Temptress lies in Greta Garbo's mesmerizing performance. Only 20, Garbo is simply, spectacularly beautiful. But her talents extend far beyond her striking appearance. A contemporary Photoplay reviewer wrote, "Look back and think if you can of any actress who had made a more profound impression than Greta Garbo in but one picture. You can't. Neither can I." |
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In The Temptress, Garbo portrays a character who is alluring and enigmatic, with a hint of vulnerability beneath her facade of confidence. As the plot unfolds, her nuanced performance draw viewers into a world of forbidden desires and hidden agendas. Her performance transcends language, speaking through subtle gestures and expressions, showcasing her as one of the finest actresses of her generation.
The storyline transports us from extravagant Parisian masked balls, a dramatic suicide during a banquet, and clandestine romance in a park, to the rugged landscapes of Argentina for a thrilling duel of honor involving whips, acts of sabotage, and catastrophic floods, all portrayed with impressive visual effects. The film's visuals are a testament to the brilliant craftsmanship of the silent film era.
A shocking spectacle for 1926, the gory whip scene is one of many highlights of The Temptress. It’s hard to imagine a more savage encounter between hero and villain. Antonio Moreno, one of the original Latin Lovers, delivers a standout performance as the male lead.
Directed by Fred Niblo, renowned for his work on Ben-Hur (1925), Blood and Sand (1922) and The Mark of Zorro (1920), The Temptress is a masterclass in visual storytelling. Niblo's direction infuses each scene with a sense of grandeur and drama.
With stunning visuals and thrilling plot twists, The Temptress remains both a testament to Greta Garbo's unparalleled talent and a shining example of the artistry and allure of silent cinema. Don’t miss this rare chance to see it on the big screen of the Lumiere Music Hall Cinema, with brilliant live music by a master of live film accompaniment, Cliff Retallick
The storyline transports us from extravagant Parisian masked balls, a dramatic suicide during a banquet, and clandestine romance in a park, to the rugged landscapes of Argentina for a thrilling duel of honor involving whips, acts of sabotage, and catastrophic floods, all portrayed with impressive visual effects. The film's visuals are a testament to the brilliant craftsmanship of the silent film era.
A shocking spectacle for 1926, the gory whip scene is one of many highlights of The Temptress. It’s hard to imagine a more savage encounter between hero and villain. Antonio Moreno, one of the original Latin Lovers, delivers a standout performance as the male lead.
Directed by Fred Niblo, renowned for his work on Ben-Hur (1925), Blood and Sand (1922) and The Mark of Zorro (1920), The Temptress is a masterclass in visual storytelling. Niblo's direction infuses each scene with a sense of grandeur and drama.
With stunning visuals and thrilling plot twists, The Temptress remains both a testament to Greta Garbo's unparalleled talent and a shining example of the artistry and allure of silent cinema. Don’t miss this rare chance to see it on the big screen of the Lumiere Music Hall Cinema, with brilliant live music by a master of live film accompaniment, Cliff Retallick
PAST SCREENINGS
Many of the films listed below are now available for online viewing! See our Retroformat Vault page for details, or click on the button below to go directly to the Retroformat Vault and become a member:
Wednesday, December 4, 2024 at 7:00 p.m.
Charlie Chaplin in THE IMMIGRANT(1917) and Other Short Films
At Sierra Madre Playhouse, Sierra Madre, California
Charlie Chaplin in THE IMMIGRANT(1917) and Other Short Films
At Sierra Madre Playhouse, Sierra Madre, California
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Wednesday, December 4, 2024 at 7:00 p.m.
Charlie Chaplin in THE IMMIGRANT and Other Short Films (1917) At Sierra Madre Playhouse, Sierra Madre, California The Immigrant (1917), one of Charlie Chaplin's funniest and most celebrated short films, showcases his beloved character, "The Tramp," in a heartfelt exploration of the immigrant experience in America. Balancing comedy with social commentary, Chaplin subtly highlights the struggles immigrants faced while maintaining the light-hearted tone that made his films so beloved. The Immigrant is widely regarded as a masterpiece of early cinema, not only for its humor but also for its deeper themes. Chaplin, himself a British immigrant, infused the film with a personal perspective, using humor to explore the challenges of assimilation and survival in a new country. The poignant scene of immigrants arriving in New York Harbor, confined and observed by authorities, carries an emotional weight, reflecting the hardships many newcomers endured. Yet, despite these serious undertones, the film remains hopeful, emphasizing themes of resilience, solidarity, and the pursuit of a better future—values that resonated with audiences then and continue to do so today. See The Immigrant plus a great program of other early Chaplin comedies, Thursday, December 5 at 7:00 p.m. |
Thursday, November 14, 2024 at 7:00 p.m.
CHICAGO (1927)
At Sierra Madre Playhouse, Sierra Madre, California
CHICAGO (1927)
At Sierra Madre Playhouse, Sierra Madre, California
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Like the musical Chicago that won the Best Picture Academy Award and five other Oscars in 2002, this original 1927 version descends from a 1926 hit Broadway play by Maurine Watkins. It’s a terrifically entertaining mix of humor and melodrama as well as a pungent critique of trash journalism.
Frank Urson signed onto Chicago as director, although it is substantially the work of Cecil B. DeMille and his A-list technical staff. (DeMille apparently judged it unseemly to take full credit for this cynical and secular story while his religious spectacle The King of Kings was still in theatres!) The 1927 Chicago was long believed a lost film, but a perfect print survived in Cecil B. DeMille’s private collection. Restored by the UCLA Film and Television Archive in 2006, it has since been widely performed to rapturous audiences. Sexy, jazz-loving and dressed to kill, Roxie Hart (Phyllis Haver) has a doting, handsome husband in Victor Varconi; not to mention a gold-digging affair on the side with Eugene Pallette, who pays and pays, eventually with his life. Put on trial for murder, Roxie secures lawyer Billy Flynn (Robert Edeson), equal part mob “mouthpiece” and publicity agent. When Roxie hits the headlines, the courtroom theatrics begin. |
Saturday, October 5 , 2024 at 7:30 p.m.
THE HUNCHBACK OF NOTRE DAME (1925)
At the Woman's Club of Hollywood, Los Angeles, California
THE HUNCHBACK OF NOTRE DAME (1925)
At the Woman's Club of Hollywood, Los Angeles, California
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Saturday, October 5 , 2024 at 7:30 p.m.
THE HUNCHBACK OF NOTRE DAME (1925) At the Woman's Club of Hollywood, Los Angeles, California "He was someone who acted out our psyches. He somehow got into the shadows inside our bodies; he was able to nail down some of our secret fears and put them on-screen....He brings that part of you out into the open, because you fear that you are not loved, you fear that you never will be loved, you fear there is some part of you that's grotesque, that the world will turn away from. - Ray Bradbury, in Kevin Brownlow's documentary, "Lon Chaney: A Thousand Faces" Start psyching for Halloween - Get your tickets now to see the legendary Lon Chaney, Sr. in his classic performance as The Hunchback of Notre Dame, with live music by Cliff Retallick, coming to the Woman's Club of Hollywood on October 5, 2024! |
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Friday, September 20, 2024 at 7:00 p.m.
Silent Comedy All-Stars from Flicker Alley
Featuring Charlie Chaplin, Buster Keaton, Roscoe "Fatty" Arbuckle
And many more!
At the historic Sierra Madre Playhouse, Sierra Madre, California
Silent Comedy All-Stars from Flicker Alley
Featuring Charlie Chaplin, Buster Keaton, Roscoe "Fatty" Arbuckle
And many more!
At the historic Sierra Madre Playhouse, Sierra Madre, California
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In partnership with Flicker Alley Video, Retroformat Silent Films and Sierra Madre Playhouse are thrilled to invite you to a unique evening that harkens back to the golden age of cinema, with live accompaniment by Retroformat Silent Films Musical Director Cliff Retallick. 1. Just into his third year as a filmmaker, in The Floorwalker (1916) Charlie Chaplin pays tribute the slapstick that had characterized his earliest films at Keystone Studios, but with a new level of storytelling sophistication. One of his most breathtaking short films, The Floorwalker’s action takes place entirely in a large “modern” department store, including a chase on up and down an escalator that is said to have made Mack Sennett jealous. Burly Eric Campbell is unforgettable as Chaplin’s nemesis, the embezzling store manager. 2. The Butcher Boy (1917) stars legendary Roscoe "Fatty" Arbuckle, and contains the great Buster Keaton's very first on-screen appearance. Under Arbuckle's masterful tutelage, Keaton is at his athletic best, and Arbuckle himself demonstrates amazing athleticism, skill and wit as a silent film comedian. Plus a memorable performance by a bull terrier named Luke. The plot follows a butcher's love for a store cashier, leading him to disguise himself as her cousin at a girls' boarding school. 3. Plus more short films and surprises - all with unforgettable live music by accompanist Cliff Retallick at the piano! A beacon of storytelling and entertainment for nearly a century, the Sierra Madre Playhouse’s collaboration with Retroformat Silent Films offers a rare opportunity to experience film as early audiences did. |
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Friday, August 24, 2024 at 7:00 p.m.
Rudolph Valentino
in
Monsieur Beaucaire (1924)
At the Lumiere Music Hall Cinema, Beverly Hills, California
Rudolph Valentino
in
Monsieur Beaucaire (1924)
At the Lumiere Music Hall Cinema, Beverly Hills, California
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At the historic Sierra Madre Playhouse
Sierra Madre, California Friday, August 23, 2024 at 7:00 p.m. Have a big-screen experience with Rudolph Valentino in Monsieur Beaucaire (1924), with live, original music by Cliff Retallick! Screened from an ultra-rare, beautiful quality 16mm print, just one generation away from an original theatrical print, this event may be your best chance ever to see Valentino in one of his most popular and lavish productions! Rarely screened today, Monsieur Beaucaire is a must-see for fans of classic cinema, offering a rich tapestry of romance, intrigue, and humor. Rudolph Valentino is supported by an exceptional cast and the visionary direction of Sidney Olcott, who captures the essence of 18th-century French court life. A feast for the senses, the film is filled with lavish visuals and engaging performances. The luxurious sets and costumes, meticulously designed to reflect the opulence of King Louis XV’s court, transport viewers to a bygone era. The film beautifully showcases Valentino’s versatility, allowing him to shine in scenes of romance, humor, and even daring swordplay. More than a historical drama, Monsieur Beaucaire is also a showcase for Valentino’s comedic talents, enabling him to playfully poke fun at his “Latin Lover” persona. This light-hearted approach, combined with Valentino’s natural charisma, makes the film a delightful experience. Valentino plays the role of Philippe, the charming Duke de Chartres, who navigates the intricate world of French aristocracy. Alongside Bebe Daniels as the elegant Princess Henriette, Valentino captivates audiences with a tale of romance, disguise, and adventure. However, the strict etiquette of royal life soon becomes stifling, leading Philippe to seek a new life in Bath, England, where he adopts the guise of an ordinary barber named “Monsieur Beaucaire.” Despite its charm and Valentino’s undeniable star power, Monsieur Beaucaire faced criticism from some quarters. Publicity photos of Valentino in period attire sparked controversy, with some critics “questioning his masculinity.” Regardless, following the film’s success Valentino became the biggest star in Hollywood, a position he maintained until his tragic death two years later. Monsieur Beaucaire remains a testament to Rudolph Valentino’s talent and the artistic risks he was willing to take. It stands as a unique entry in his filmography, offering a glimpse into his underutilized comedic skills and his ability to bring historical figures to life with authenticity and flair. Don't miss Monsieur Beaucaire with live music by Cliff Retallick - one performance only, Friday, August 23 at 7:30 p.m. at the Lumiere Music Hall Cinema, 9036 Wilshire Blvd, Beverly Hills, CA 90211. This program may sell out - get your tickets in advance! |
Father's Day, June 16, 2024, 2:00 p.m.
Charlie Chaplin starring in The Kid (1920)
Lumiere Music Hall Cinema
9036 Wilshire Boulevard, Beverly Hills, California 90211
Charlie Chaplin starring in The Kid (1920)
Lumiere Music Hall Cinema
9036 Wilshire Boulevard, Beverly Hills, California 90211
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A Special Screening of
Chaplin's The Kid (1921) On Father's Day! Sunday, June 16 at 2:00 p.m. The heart of The Kid lies in the touching relationship between Chaplin as the iconic Tramp, and young Jackie Coogan, who delivers a remarkable performance that remains endearing after more than a century. Chaplin’s first feature-length masterpiece, The Kid (1921), showcases his unparalleled talent as a filmmaker, weaving together humor, social commentary, and raw emotion. Drawing from his own childhood experiences, Chaplin paints a vivid picture of poverty and harsh welfare systems, making The Kid one of Chaplin's most personal and introspective works. Off-screen, Chaplin and Jackie Coogan shared a bond that mirrored their on-screen chemistry. Chaplin's perfectionism is evident in the meticulous production process, which spanned five and a half months—a lengthy period for a film made in 1921. The extensive footage allowed Chaplin to craft a narrative rich in detail and emotional depth. The Library of Congress recognized the film's significance in December 2011, selecting it for preservation in the National Film Registry. The Registry praised The Kid as "an artful melding of touching drama, social commentary, and inventive comedy," highlighting Chaplin's skill in blending slapstick and pathos to elicit a wide range of emotions from audiences. The Kid 's timeless appeal - its ability to evoke both laughter and tears - make it relevant and enjoyable for all generations. Take Dad to experience the magic of Charlie Chaplin and Jackie Coogan in the classic The Kid (1921), for Father's Day! |
May 25, 2024, 7:30 p.m.
Marion Davies starring in The Patsy (1928) (+ Book signing!)
Woman's Club of Redondo Beach
Redondo Beach, California
Marion Davies starring in The Patsy (1928) (+ Book signing!)
Woman's Club of Redondo Beach
Redondo Beach, California
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Saturday, May 25, 2024 at 7:30 p.m. at The Woman's Club of Redondo Beach 400 S Broadway, Redondo Beach, CA 90277 MARION DAVIES
in THE PATSY (1928) WITH LIVE, ORIGINAL MUSIC BY CLIFF RETALLICK The screening will be introduced by Lara Gabrielle, author of the book Captain of Her Soul: The Life of Marion Davies, who will also be on hand to sign copies of her book. Marion Davies delivers a tearfully funny performance in her first collaboration with director King Vidor, The Patsy (1928), costarring the equally brilliant Marie Dressler. William Randolph Hearst may have wanted her to act in dramas, but we are fortunate that Marion Davies went against his wishes, teaming with King Vidor to create this unforgettable comedic masterpiece. Davies reinvented herself as the first "screwball" comedian with this film. Sharing the spotlight in The Patsy is the formidable Marie Dressler, a force to be reckoned with in every scene. Portraying the mother of Davies' character, Dressler's comedic and dramatic timing foreshadows the greatness she would later be known for in talkies. King Vidor, known for directing dramatic classics like The Big Parade (1925) and The Crowd (1928), proved his versatility by crafting a film that can be compared to the works of comedy legends such as Buster Keaton, Charlie Chaplin and Harold Lloyd. The physical comedy in The Patsy is pure gold, a testament to King Vidor’s impeccable direction and the perfect synergy of the cast. The Patsy stands as one of the wittiest, craziest, and quirkiest films of its time. Don't miss the chance to witness this unforgettable silent film experience. Coming Saturday, May 25 at 7:30 p.m. to the Woman's Club of Redondo Beach! |
May 19, 2024, 2:00 p.m.
Lon Chaney, Sr. starring in The Penalty (1920)
Lumiere Music Hall Cinema
9036 Wilshire Boulevard, Beverly Hills, California 90211
Lon Chaney, Sr. starring in The Penalty (1920)
Lumiere Music Hall Cinema
9036 Wilshire Boulevard, Beverly Hills, California 90211
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Coming to the
Lumiere Cinema at the Music Hall 9036 Wilshire Blvd, Beverly Hills, CA 90211 Sunday, May 19, 2024 at 2:00 p.m. Lon Chaney starring in The Penalty (1920) With live, original music by Cliff Retallick Set against the shadowy backdrop of San Francisco's underworld, The Penalty unfolds with a palpable sense of dread, drawing viewers into a web of intrigue and moral ambiguity. The film boasts a genuinely disturbing performance by Lon Chaney, which transcends even his own astonishing physical transformation into the character of a deformed criminal mastermind driven by a burning desire for vengeance. Lon Chaney immerses himself fully into his role, inflicting upon himself a physical agony similar to that endured by his on-screen counterpart. With his lower limbs bound, forcing him to walk on his kneecaps, the harnessing of his legs was so painful he could endure it for only a few minutes at a time, and it is said that his knees and back sustained permanent damage. Yet, it is not merely Chaney's physical feat that mesmerizes audiences. As the embodiment of pure malevolence, Chaney's countenance strikes fear into the hearts of viewers with each menacing glare. His facial expressions and entire physicality masterfully convey the emotional emptiness that consumes his character. Director Wallace Worsley and cinematographer Donovan Short complement Chaney's performance through meticulous attention to detail. The film's elaborate sets and costume design further immerse viewers in its atmospheric world, evoking a sense of gritty realism that heightens the tension and suspense. Every aspect of The Penalty coalesces to deliver a cinematic experience that lingers long after the credits roll. As a seminal work of early horror cinema, The Penalty remains a testament to the power of storytelling and the enduring legacy of Lon Chaney's unparalleled talent. Don't miss this rare chance to see The Penalty as it was meant to be seen - on the big screen, with live music! At the Lumiere Music Hall Theater, May 19, 2024 at 2:00 p.m., with live accompaniment by Cliff Retallick! |
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May 4, 2024, 7:30 p.m.
The exploitation classic Traffic in Souls (1913)
Woman's Club of Hollywood,
Los Angeles, California
The exploitation classic Traffic in Souls (1913)
Woman's Club of Hollywood,
Los Angeles, California
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Coming to the historic
Woman's Club of Hollywood May 4, 2024 at 7:30 p.m. Traffic in Souls (1914) With live, original music by Cliff Retallick A trailblazing silent drama and a huge hit in its day, Traffic in George Loane Tucker's Traffic in Souls (1913) was a groundbreaking exploitation classic/ police procedural about sex trafficking, and one of the best early American feature films!
Audiences lined up for blocks to see it in 1913, making Universal into a major studio almost overnight! Traffic in Souls (1913) delves into the harrowing depths of forced prostitution in the United States. Directed by the visionary George Loane Tucker and produced by the Universal Film Manufacturing Company, its story is set against the backdrop of bustling New York City, capturing the essence of early 20th-century America. Partially filmed “guerrilla style” on location at iconic sites such as Ellis Island and Manhattan, the movie sheds light on the plight of immigrant women and others who found themselves ensnared in the dark world of prostitution. Released during a period of moral upheaval, the film ignited conversations about the exploitation of women and the urgent need for reform. The film was passed by the National Board of Review by virtue of its suggesting methods of "controlling" prostitution. Through skillful cinematography, Traffic in Souls draws audiences into the heart of its narrative. One of the film's most striking features is its innovative use of camera movement. Don't miss the opportunity to experience this cinematic gem firsthand. Join us for a special screening of Traffic in Souls, where you'll be transported to a bygone era that witnessed the birth of a new cinematic language. |
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April 28, 2024, 2:00 p.m.
Joan Crawford starring in Our Dancing Daughters (1928)
Lumiere Music Hall Cinema
Beverly Hills, California
Joan Crawford starring in Our Dancing Daughters (1928)
Lumiere Music Hall Cinema
Beverly Hills, California
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Coming to the
Lumiere Cinema at the Music Hall 9036 Wilshire Blvd, Beverly Hills, CA 90211 Sunday, April 28, 2024 at 2:00 p.m. Joan Crawford starring in Our Dancing Daughters (1928) With live, original music by Cliff Retallick In the annals of cinema history, some films truly capture a moment in time. If you're looking for a cinematic experience that transports you back 100 years to the dazzling world of the 1920s, look no further than Our Dancing Daughters (1928). Directed by Harry Beaumont, Our Dancing Daughters rocketed Joan Crawford to stardom, while at the same time encapsulating the essence of the Jazz Age. A colossal hit for MGM, it grossed over six times its production cost, raking in a staggering $1.1 million against a modest budget of $178,000. Central to the film's success is Joan Crawford's electrifying performance. Born Lucille Le Sueur in 1904, Crawford's journey to stardom was anything but conventional. After a challenging upbringing, she found her way to the lights of Broadway before catching the eye of MGM executives. Renamed Joan Crawford, she quickly became a fixture of the silver screen. However, it was Our Dancing Daughters that first showcased her star power, as she brought to life the character of Diana—an ambitious, liberated young woman navigating the complexities of a rapidly changing society, whose unexpected experience of love leaves her genuinely heartbroken. Alongside Crawford, the film boasts a stellar ensemble cast, including Anita Page and Dorothy Sebastian, whose performances add depth and nuance to the narrative. Together, they navigate a world of decadence and desire, where love and ambition collide amidst the backdrop of glittering soirées and pulsating dance floors. Page had just turned eighteen, but she seems to have fully grasped the worldliness and duplicity her role demanded. Johnny Mack Brown plays Diana’s love interest, football star Ben Blaine. Prior to his acting career, Brown had excelled as a halfback for the University of Alabama's championship-winning football team in 1926. Brown's prowess on the field was exemplified by his outstanding performance in the 1926 Rose Bowl, where he clinched the Most Valuable Player title by scoring two of Alabama's three touchdowns in a surprising victory against the University of Washington. Screenwriters Josephine Lovett, Marian Ainslee, and Ruth Cummings paint a vivid portrait of the first generation of women to assert itself through fashion and lifestyle amidst a rapidly changing world. The film's sumptuous set design was crafted by the visionary Art Director Cedric Gibbons. From the sleek Art Deco interiors to the flamboyant fashions, every frame is a visual ode to the Jazz Age, replete with flasks, flappers and period slang. The film paints a vivid portrait of the first generation to assert itself through fashion and lifestyle amidst a rapidly changing world. George Barnes' cinematography brings it all to life, capturing the energy and excitement of the party scenes with vibrant visuals and dynamic, mobile camerawork. Barnes later shot several Hitchcock classics, including Rebecca (1940). Don’t miss this rare chance to see Joan Crawford and Anita Page in Our Dancing Daughters on the big screen of the Lumiere Music Hall, with live, original music by the one-and-only Cliff Retallick! |
February 25, 2024, 2:00 p.m.
Greta Garbo starring in The Temptress (1926)
Lumiere Music Hall Cinema
Beverly Hills, California
Greta Garbo starring in The Temptress (1926)
Lumiere Music Hall Cinema
Beverly Hills, California
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Tickets are available now for
Greta Garbo Antonio Moreno and Lionel Barrymore in The Temptress (1926) Coming Sunday, February 25 at 2:00 p.m. to Lumiere Music Hall Cinema, 9036 Wilshire Boulevard, Beverly Hills, California The Temptress (1926) is a testament to the brilliance of silent cinema, starring the incomparable Greta Garbo in her second American film. Directed by Fred Niblo, this cinematic gem transports audiences into a world of passion, intrigue, and undeniable charisma.
The heart of The Temptress lies in Greta Garbo's mesmerizing performance. Only 20, Garbo is simply, spectacularly beautiful. But her talents extend far beyond her striking appearance. A contemporary Photoplay reviewer wrote, "Look back and think if you can of any actress who had made a more profound impression than Greta Garbo in but one picture. You can't. Neither can I." In The Temptress, Garbo portrays a character who is alluring and enigmatic, with a hint of vulnerability beneath her facade of confidence. As the plot unfolds, her nuanced performance draw viewers into a world of forbidden desires and hidden agendas. Her performance transcends language, speaking through subtle gestures and expressions, showcasing her as one of the finest actresses of her generation. The storyline transports us from extravagant Parisian masked balls, a dramatic suicide during a banquet, and clandestine romance in a park, to the rugged landscapes of Argentina for a thrilling duel of honor involving whips, acts of sabotage, and catastrophic floods, all portrayed with impressive visual effects. The film's visuals are a testament to the brilliant craftsmanship of the silent film era. A shocking spectacle for 1926, the gory whip scene is one of many highlights of The Temptress. It’s hard to imagine a more savage encounter between hero and villain. Antonio Moreno, one of the original Latin Lovers, delivers a standout performance as the male lead. Directed by Fred Niblo, renowned for his work on Ben-Hur (1925), Blood and Sand (1922) and The Mark of Zorro (1920), The Temptress is a masterclass in visual storytelling. Niblo's direction infuses each scene with a sense of grandeur and drama. With stunning visuals and thrilling plot twists, The Temptress remains both a testament to Greta Garbo's unparalleled talent and a shining example of the artistry and allure of silent cinema. Don’t miss this rare chance to see it on the big screen of the Lumiere Music Hall Cinema, with brilliant live music by a master of live film accompaniment, Cliff Retallick. |
January 28, 2024 at 5:00 P.M.
Marion Davies in The Patsy (1928)
Lumiere Music Hall Cinema
Beverly Hills, California
Marion Davies in The Patsy (1928)
Lumiere Music Hall Cinema
Beverly Hills, California
SUNDAY, JANUARY 28, 2024 AT 5:00 P.M. AT THE LUMIERE CINEMA AT THE MUSIC HALL, 9036 Wilshire Blvd., Beverly Hills, CA 90211
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MARION DAVIES
in THE PATSY (1928) WITH LIVE MUSIC BY CLIFF RETALLICK NOTE CHANGE OF TIME! This screening will take place on January 28 at 5:00 p.m.
The screening will be introduced by Lara Gabrielle, author of the book Captain of Her Soul: The Life of Marion Davies, who will also be available to sign copies of her book. Marion Davies delivers a tearfully funny performance in her first collaboration with director King Vidor, The Patsy (1928), costarring the equally brilliant Marie Dressler. William Randolph Hearst may have wanted her to act in dramas, but we are fortunate that she went against his wishes, teaming with King Vidor to create this unforgettable comedic masterpiece. The first screwball comedienne, Marion Davies reinvented herself with this film. Sharing the spotlight in The Patsy is the formidable Marie Dressler, a force to be reckoned with in every scene. Portraying the mother of Davies' character, Dressler's comedic and dramatic timing foreshadows the greatness she would later be known for in talkies. King Vidor, known for directing dramatic classics like The Big Parade (1925) and The Crowd (1928), proved his versatility by crafting a film that can be compared to the works of comedy legends such as Buster Keaton, Charlie Chaplin and Harold Lloyd. The physical comedy in The Patsy is pure gold, a testament to King Vidor’s impeccable direction and the perfect synergy of the cast. The Patsy stands as one of the wittiest, craziest, and quirkiest films of its time. |
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Don't miss the chance to witness the comedic brilliance of Marion Davies and Marie Dressler in this unforgettable silent film experience. Coming Sunday, January 28 at 5:00 p.m. to the Lumiere Cinema at the Music Hall. Tickets are available now!
JANUARY 6, 2024
RUDOLPH VALENTINO in
BLOOD AND SAND (1922)
RUDOLPH VALENTINO in
BLOOD AND SAND (1922)
SATURDAY, JANUARY 6, 2024 AT 7:30 P.M. AT THE WOMAN'S CLUB OF HOLLYWOOD, 1749 N. LaBrea Blvd., Los Angeles, CA 90046. Free parking!
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Encore screening!
RUDOLPH VALENTINO in BLOOD AND SAND (1922) WITH LIVE MUSIC BY CLIFF RETALLICK HOSTED BY MANNY PACHECO IN PERSON BOOK SIGNING ADDED! We are pleased to announce that Rosanne Welch, editor of When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry, will be on hand to sign copies of her book, a collection of 23 essays focusing on the lives of female screenwriters of Golden Age of Hollywood. Ms. Welch will be joined by several of the essayists who contributed chapters. The essays trace the careers of Blood and Sand screenwriter June Mathis, as well as Anita Loos, Adela Rogers St. John, Lillian Hellman, Gene Gauntier, Eve Unsell and many more.
Due to popular demand, we are repeating our screening of the Rudolph Valentino classic from last month at the Lumiere Music Hall! On January 6 at 7:30 p.m., come to the historic Woman's Club of Hollywood for a cinematic treat from the Golden Age of Hollywood…
As compelling in real life as the characters he brought to life on the silver screen, Valentino captured hearts worldwide with his unparalleled charisma and talent. His untimely passing in 1926 at age 31 sent shockwaves around the globe, and half the world mourned his loss. The ensemble cast delivers a performance that showcases the power of non-verbal communication. Nita Naldi sizzles as the conniving temptress Doña Sol, and her magnetic allure is matched by Lila Lee as Juan Gallardo’s suffering wife. Blood and Sand delves into the dark facets of society, man's penchant for self-destruction, and the cruelty and lust that often accompany fame. Director Fred Niblo (Sex, The Mark of Zorro, Ben Hur) masterfully guides you through this cinematic journey, infusing exuberance and an eerie sensuality into the story. His careful pacing is both mesmerizing and emotionally charged. The film's editor, Dorothy Arzner, later became the first woman to join the Directors Guild of America, and the first woman to direct a sound film. Her innovative blending of stock bull-fighting footage with studio-filmed scenes set new standards (and saved the studio a lot of money). Don't miss this rare opportunity to experience Blood and Sand on the big screen, with live music by Retroformat Musical Director Cliff Retallick... We can't wait to share this cinematic adventure with you. Reserve your seats now and join us at the Woman's Club of Hollywood on January 6, 2024 at 7:30 p.m., for an evening of unparalleled entertainment! |
SATURDAY, OCTOBER 28, 2023 AT 7:30 P.M. AT THE WOMAN'S CLUB OF HOLLYWOOD
JOHN BARRYMORE in DR. JEKYLL AND MR. HYDE (1920)
JOHN BARRYMORE in DR. JEKYLL AND MR. HYDE (1920)
SATURDAY, OCTOBER 28, 2023 AT 7:30 P.M. AT THE WOMAN'S CLUB OF HOLLYWOOD, 1749 N. La Brea Avenue, Los Angeles, CA 90046
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JOHN BARRYMORE
in DR. JEKYLL AND MR. HYDE (1920) WITH LIVE MUSIC BY CLIFF RETALLICK Join us for a spectacular screening of the first American full length horror film, Dr. Jekyll and Mr. Hyde (1920), featuring an extraordinary performance by John Barrymore, often hailed as "The Great Profile," in a dual role that showcases his exceptional acting prowess. With brilliant live music by Cliff Retallick, at the Woman's Club of Hollywood on Saturday, October 28th at 7:30 p.m. John Barrymore, known at the time as a matinée idol, delivers a tour de force performance that stands the test of time. His contortions during the transformation from handsome Dr. Jekyll into the bent-over, hideously ugly and cruel Mr. Hyde are truly mesmerizing, and remain haunting even after all these years. It's clear that Dr. Jekyll and Mr. Hyde was more than just an assignment for him; it was a labor of love. But there's more to this film than just Barrymore's brilliance. It envelops you in a chilling atmosphere of Victorian melodrama, and Martha Mansfield, in one of her earliest leading screen roles, adds a captivating presence that enhances the film's allure. Don't miss this rare opportunity to witness cinematic history unfold on the big screen. Experience the magic of silent cinema with Dr. Jekyll and Mr. Hyde, and let John Barrymore's unparalleled performance send shivers down your spine. Get your tickets now for an evening of suspense, drama, and pure cinematic artistry that you won't soon forget. |
SUNDAY, OCTOBER 22, 2023 IN BRAND PARK, GLENDALE/6:00 P.M.
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FREE OUTDOOR 100TH ANNIVERSARY SCREENING! HAROLD LLOYD'S CLASSIC SAFETY LAST! (1923) WITH LIVE MUSIC BY CLIFF RETALLICK Safety Last! ( 1923) is THE classic thrill-comedy comedy by the man who invented the genre. Harold Lloyd will forever be remembered as the king of daredevil comedy. People otherwise unfamiliar with Lloyd know the image of him dangling from the hands of a giant clock over downtown Los Angeles. Retroformat is proud to join with the Alex Film Society, Glendale Community Services & Parks, the Glendale Historical Society and Brand Associates to bring you Harold Lloyd's Safety Last! (1923) in observance of its 100th anniversary, with live music by our Musical Director Cliff Retallick, on Sunday, October 22 at 6:00 p.m.. A "thrill-comedy" masterpiece, Safety Last! will be introduced by Harold Lloyd's granddaughter, Suzanne Lloyd, in person. Bring your picnic items, blankets and chairs, and see Safety Last! as it was meant to be seen, on the big screen, with live music, at our fabulous outdoor event. And bring some extra napkins, because we guarantee your palms will get sweaty watching this suspense-filled, hilarious classic. Sunday, October 22 at 6:00 p.m., on the lawn of the Doctors House Museum & Gazebo in Brand Park, 1601 West Mountain Street, Glendale, CA 91201. Admission is free... Mark your calendars now! |
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SATURDAY, AUGUST 26, 2023 AT THE WOMAN'S CLUB OF HOLLYWOOD/7:30 P.M.
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THE LOST WORLD (1915)
THE ORIGINAL STOP MOTION ANIMATION CLASSIC, WITH LIVE MUSIC BY CLIFF RETALLICK, INTRODUCED BY AUTHOR AND BROADCASTER MANNY PACHECO The Lost World is the original 1925 silent fantasy giant monster adventure film, adapted from Arthur Conan Doyle's 1912 novel of the same name. Starring Wallace Beery, Bessie Love, Lewis Stone and Lloyd Hughes.
Great fun to watch, and one of the most influential silent films, The Lost World features amazing pioneering special effects by Willis O'Brien. O'Brien's work on this film was not surpassed in importance until eight years later in another of his creations: King Kong (1933). The Lost World was adapted for the screen by one of the most successful female writers of the Silent Era, Marion Fairfax (1875 - 1970), who not only brilliantly adapted Arthur Conan Doyle’s story for the screen, but supervised the editing of the film as well. The screening will be introduced by Southern California television and radio personality Manny Pacheco, author of the celebrated Forgotten Hollywood Book Series and host of the weekly podcast Manny Pacheco's Forgotten Hollywood on Spotify. Manny will discuss author Arthur Conan Doyle's stranger-than-fiction life as an author and occultist, stop motion animation pioneer Willis O'Brien's life and legacy, and the silent film careers of Wallace Beery, Bessie Love, Lewis Stone and Arthur Hoyt. In 1998, The Lost World was deemed "culturally, historically or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. |
JUNE 18, 2O23 AT THE road theatre of north hollywood/ 7:30 P.M.
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AN ALL-STAR COMEDY REVIEW FOR FATHER'S DAY!
WITH LIVE MUSIC BY CLIFF RETALLICK Join us for a special Retroformat Silent Films/Road Theatre Company co-presentation of an All-Star Comedy Review for Father's Day, June 18th at 7:30 PM, featuring Chaplin's The Vagabond (1917), Buster Keaton's Cops (1923) and Laurel and Hardy's Liberty (1927) with original, live music by Cliff Retallick!
The Vagabond (1917) is one of Charlie Chaplin's most beloved short films, innovatively combining comedy and drama almost as powerfully as in any of his finest features. Bring your hankies! In Cops (1923), Buster Keaton created one of his greatest works, ending with a brilliant chase scene involving an entire police force against one incredibly agile, lone man. Liberty (1927) ranks as one of Laurel and Hardy's funniest - and most thrilling - movies, as the beloved pair becomes stuck at the top of a skyscraper under construction. Not for the faint at heart! All Retroformat/Road Theatre presentations are projected from real 16mm film. |
JUNE 10, 2O23 AT THE WOMAN'S CLUB OF HOLLYWOOD/ 7:30 P.M.
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WHEN THE CLOUDS ROLL BY (1919)
WITH LIVE MUSIC BY CLIFF RETALLICK Don't miss this chance to see Douglas Fairbanks in When the Clouds Roll By (1919), directed by Victor Fleming (The Wizard of Oz, Gone With the Wind), at the Woman's Club of Hollywood. With live, original music by Cliff Retallick. EARLY BIRD TICKETS ARE AVAILABLE NOW!
One of the best movies you've probably never seen, When the Clouds Roll By is little-known gem. In one of his last films in a modern setting, Douglas Fairbanks plays Daniel Boone Browne, whom the mad Dr. Metz (Herbert Grimwood) hilariously tries to drive to suicide through psychological manipulation. Spoofing the "new" psychoanalysis craze, this film is loaded with bizarre ideas, including a wild dream sequence featuring Doug climbing the walls and walking across the ceiling, an effect borrowed thirty years later by Stanley Donen and Fred Astaire for their famous "dancing on the ceiling" number in Royal Wedding. This all leads to a great storm scene, which many believe was a direct inspiration for the cyclone sequence in Buster Keaton's Steamboat Bill, Jr. |
MAY 20TH, 2023 AT THE WOMAN's CLUB OF HOLLYWOOD / 7:30 P.M.
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ARE PARENTS PEOPLE? (1925)
WITH LIVE MUSIC BY CLIFF RETALLICK A FLAPPER-ERA PARAMOUNT STUDIOS COMEDY STARRING BETTY BRONSON (PETER PAN), FLORENCE VIDOR, ADOLPHE MENJOU, WITH LIVE MUSIC BY CLIFF RETALLICK Betty Bronson (star of 1924’s ‘Peter Pan’) is delightful as a resourceful teenager who schemes how to get her divorcing parents back together. Adolphe Menjou and Florence Vidor as her father and mother show why they were two of the most popular actors of the 1920’s, and the film is crisply directed by Malcolm St. Clair.
Betty Bronson had been picked from the ranks of Paramount bit players by author J.M. Barrie himself to play Peter Pan in the 1924 Paramount film adaptation of his famous children’s book, beating out Mary Pickford, Gloria Swanson, and virtually every young actress in Hollywood. Her enormous success in that role was immediately followed by this delightful performance. Bronson’s acting career continued for decades. With live music by Retroformat Musical Director Cliff Retallick. All Retroformat Screenings at The Woman’s Club of Hollywood are projected from 16mm film. Print provided through the kindness of the University of Southern California HMH Moving Image Archive. |
APRIL 16th, 2023 AT THE ROAD THEATRE
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STEAMBOAT BILL, JR. (1928)
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APRIL 8TH, 2023 AT THE WOMEN'S CLUB OF HOLLYWOOD
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JANUARY 14th, 2023 AT THE WOMEN'S CLUB OF HOLLYWOOD
Anita Loos
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THE SOCIAL SECRETARY (1916)
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